FOSSPicks
FOSSPicks

Sparkling gems and new releases from the world of Free and Open Source Software.
Audio analyzer
Sonic Visualiser 3
One piece of measuring and analysis hardware is available on nearly every computer, whether that's a smartphone, a Raspberry Pi, or a big box PC: it's the audio interface. Most of us only become aware of the audio interface when PulseAudio stops playing back our favorite music or when a video chat doesn't detect the microphone. But audio signals are their own fascinating world and one that doesn't need to be restricted to music or even what you might consider audio. Sonic Visualiser is a portal into this magical world.
As its name suggests, Sonic Visualiser doesn't depend on the subjective and variable world of hearing. Instead, it's all about how audio appears and how it can be measured. Initially, the waveform view will seem familiar to anyone who's played with Audacity or Ardour – it's a waveform with time on the horizontal axis and amplitude on the vertical axis. It shows when a sound gets louder and quieter and is often the most useful view for editing audio. But there are almost no editing tools in Sonic Visualiser. Click on what looks like a pair of compasses, for example, and you can measure the variation between two points on the waveform, with Y showing the sampled voltage and X showing the time – just like an oscilloscope.
But the power really comes from changing what you're looking at. As in Gimp, this can be done with layers, but it can also be done by adding new panes below the original. Each is capable of rendering different representations of the same audio, complete with a totally different set of values to measure. Add a spectrogram, and the color is used to show amplitude and the vertical is used to show frequency. A melodic range spectrogram and a peak frequency spectrogram interpret the frequencies as notes, potentially visualizing a melody. A final view shows a slice through one moment in time, giving you the powers of an audio dendrologist, with the frequencies split from left to right above a piano keyboard, and variable amplitude for these frequencies on the vertical. There's even a note layer that takes this a step further, showing the contents of an audio file as if they were MIDI notes.
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